Gucci Time, 2019
FuBu shirt, polymer clay, patches, denim, pvc, padding
103 x 87 x 9 cm
Gucci Time, 2019
FuBu shirt, polymer clay, patches, denim, pvc, padding
103 x 87 x 9 cm
1994, 2019
FuBu shirt, polymer clay, patches, denim, pvc, padding
88 x 82 x 6 cm
Here I am, 2018
Pepsi jacket, polymer clay, patches, denim, pvc, padding
175 x 167 x 18 cm
Runnin’, 2018
DHL jacket, polymer clay, patches, denim, pvc, padding
200 x 196 x 15 cm
Shown as a part of Riviera Sunset Boulevard at Galerie Derouillon, Paris FR
Riviera Sunset Boulevard, solo show, Galerie Derouillon, Paris FR
June 27th > July 21st, 2018
Simone Zaccagnini – Riviera Sunset Boulevard
“I won’t send you two pages about my work, but I’ll send you my playlist and my references. I can’t write about my work, it’s complicated, it will be pretentious. I, as an artist, has a vision about something, and cannot pretend to be someone else, who has a vision about my vision. It’s not the artist’s job to try to analyze the works, it will become vulgar.
One can’t be the actor and the critic… You will have to try to contextualize it, make sense of it, put it all together”.
These are Simone’s instructions when I speak with him on Whatsapp from his car in Prenzlauer Berg in Berlin, where he sits when he needs to be alone. Usually, Simone works in a studio space that he shares with his girlfriend Anna. But he had an incident – he broke his sewing machine, which then had to be replaced – and as he bought a new, industrial one, it was, by default, delivered to his home.
“So now I had this monster installed at home”, which led to a decision of moving his studio home temporarily. “I actually prefer to work at home, it forces me to be more clean, although my home now is messy, with plastic and gummy and jackets and socks everywhere”.
He says he is not romantic per-say with his works, that he is trying to escape an obsession of how to use technique or a language. He doesn’t see art for art, music for music, painting for painting, but a diagonal line between them.
“I don’t have any symbolism in my work, that’s for sure; nothing is symbolic.
If people don’t see what it is, I tell them, it is what it is, and it might not be anything. My work should speak on its own; have its own legs, it should be able to walk alone. It has its own life (or its own career, if stuff goes well), its own price, its own house, brother and sisters and owners, and eventually it doesn’t belong to me anymore, it’s not mine.” It’s not the usual approach that art drives you into.
“Formally, I’m trying to have precise works, because although I have a punk approach, I don’t like trashy results” he says, and obviously references Jean Dubuffet and Art Brut. “Sometimes beauty and ugliness are so close. Since the renaissance people tried to have an answer for what beauty is, but beauty is a moment, something that shows itself, not something you can manage or reproduce as a medium”. I’m interested in the rather inelegant and sporty element to his work. “I don’t to any sports, I’m too lazy to make sports, I’m keeping skinny by being nervous and smoking cigarettes. Obviously I don’t know thesports world too much.” However he is interested in sports logos and logomania.
Riviera Sunset Boulevard is an installation of 10-12 works (uncertain as of this moment). The works escape all borders, forms and shapes. The materials are all chosen carefully and sourced from the Internet; the three identical Kellogg’s jackets were ordered from New Zealand, Italy and the US.
Typically, Simone would use wooden stretchers as canvas, but these have none – they’re made a bit like a soft suitcase; onto red gummy these jackets and jerseys are mounted, with logos in bright palettes (no blacks or browns or dark reds), layered with Fimo clay (typically used by kids or punks), also in intense colors. For this exhibition, Simone has looked to COBRA artists like Karel Appel and Asger Jorn, as well as Tanaka Atsuko from the Gutai collective.
Part of the idea of a sculpture is that you’re standing in front of, looking at, a monument. These new works are not monumental like sculptures normally are. They are empty inside, but have a functional structure, which allows them to be put on the couch, put on the wall, slept on. “In a way, I try to keep the functionality away. When I start working on them, they have a function, and after I have worked on them, they have no function. They are stretched until broken, they are cut”.
Apropos cut, Simone is majorly influenced by deconstruction and sampling in hiphop; tracks are cut,
manipulated until it hurts something else, if you want. He sent me a playlist of Madlib, Ol’ Dirty Bastard, Travis Scott and Dean Blunt. And during the time making this new body of work, an old friend of Simone’s re-appeared in his life, Dre Love, an American rapper and MC, who said of Simone’s new works they have an energy and strong references reminiscing the golden era gladness of the 90s in Jamaica, Queens, where he had grown up. And it’s precisely these nostalgic connotations to and combinations of, hiphop, 90s fashion and childishness that makes these new works so paradoxically refreshing.
Berlin, 2020
12 drawings, ink on paper, aluminum framed
65 x 55 x 4 cm (each)
Son of a Beach, 2017, 55 pieces ceramics bowls set
The Chubby Twins, 2017
FuBu jersey, MS polymer stable paste, padding, gym socks
Shown as part of Post-Insulte curated by Hugo Vitrani, Antwan Horfee and Maxime Amorin, Clichy FR
Riviera Sunset Boulevard (T_R), 2017
FuBu tank top, MS polymer stable paste, ball bag, trekking cords
Shown as part of La Ballade Des Pendus at Plasma Plastic Modern Art, Milan IT
Love at Breakfast (Lost in Vain), 2017
Kellogg’s jacket, Levis 501, denim, gym socks, patches, padding and polymer on canvas mounted on shaped wooden stratchers, 128 x 123 x 8 cm
Love at Breakfast (baby blue), 2017
Kellogg’s jacket, denim, gym socks, patches, padding and silicone on canvas mounted on wooden shaped stretchers 125 x 120 x 8 cm
Shown as part of Based on a True Story at Galerie Derouillon, Paris FR
Love at Breakfast (rrr), 2017
Kellogg’s jacket, denim, gym socks, patches, padding and white MS polymer stable paste on canvas mounted on wooden shaped stretchers 105 x 95 x 8 cm
Shown as part of Junk Love at Annarumma, Gallery Naples IT
Saggy Denim, 2017
Fubu jacket, denim, patches, padding, MS polymer stable paste on canvas mounted on wooden shaped stretchers 230 x 165 x 8 cm
Shown as a part of Junk Love at Annarumma Gallery, Naples IT
Wish You Were Here, 2017
FuBu jersey, patches, MS polymer stable paste, padding on canvas mounted on wooden shaped stretchers 220 x 180 x 8 cm
Everybody But You, 2017
FuBu jersey, denim, patches, padding and MS polymer stable paste on canvas mounted on wooden shaped stretchers 190 x 175 x 6 cm
Shown as part of Junk Love, Annarumma Gallery, Naples IT
Where Have You Gone, 2017
FuBu jersey, denim, patches, padding, black silicone on canvas mounted on wooden shaped stretchers 230 x 170 x 8 cm
Shown as part of Junk Love, Annarumma Gallery, Naples IT
Sweetie, 2017
Fubu sweatshirt, patches and MS polymer stable paste, 165 x 155 x 3 cm
Dusty Boy, 2017
Lotto k-way, patches, padding, black silicone on canvas mounted on wooden shaped stretchers 140 x 130 x 6 cm
Shown as part of Junk Love, Annarumma Gallery, Naples IT
When The Sun Revolved Round Us, solo show at Dimora Artica, Milan IT
Artists Don’t Live That Long, 2015/ 2016
Sculptural drawing (shaped wood, foam and enamel) 800 x 390 x 15 cm
Shown as part of Hex 2016 at Bergen Kunsthall, Bergen (NO)
WTSRRU, 2015
double sided microfiber beach towel, 143 x 83 cm (each)
For Us By Us (variable sandwich), 2015
FuBu jersey, anti slip may, padding, patches, lacquered canvas, fimo
Untitled (Henry), 2015
anti slip may, lacquered canvas, padding, fimo 165 x 135 x 10 cm
FuBu05, 2015
K-way, FuBu jersey, anti slip may, padding, patches, fimo 165 x 135 x 10 cm
Champion Snoop 12, 2015
Champion jersey, lacquered canvas, anti slip may, padding, patches, fimo 165 x 135 x 10 cm
In Da Club, 2016
FuBu jersey, synthetic leather, padding, black silicone, patches, 160 x 110 x 8 cm
Shown as part of Difference and Repetiotion at Foothold, Polignano a Mare IT
Framex, 2016
bike sweatshirt, padding, fimo, patches, 125 x 110 x 8 cm